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One factual aspect of the dynamic as portrayed in the film is that Ford II and his subordinate executives-including Ford’s then–vice president and general manager, Lee Iacocca-did see success on the European racing circuit as a shortcut to the kind of youthful mod glamour that might appeal to a new generation of American car buyers.
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Zierra is working on a director’s cut of “Filmworker” that will include new footage that he and Vitali wanted in the film, but couldn’t get done in time for its Cannes debut in 2017.Grandson of the founding Ford of Ford Motor, Henry Ford II (Tracy Letts), who really was nicknamed “ Hank the Deuce,” is portrayed as both an imposing captain of industry and a neurotic beneficiary of his family’s largesse in Ford v. But when they finally met Vitali to make the film, they were struck by “his kindness, humility and the fascinating scope of his story.” Vitali later worked with director Todd Field on his films “Little Children” and “In the Bedroom.”īefore making the documentary, Zierra said that he and many Kubrick-obsessed fans knew Vitali for his performances in “Barry Lyndon” and “Eyes Wide Shut,” in which he played Red Cloak, and as a key member of Kubrick’s inner circle. He received a Cinema Audio Society award for his work. There were some sacrifices, but there were gains too.”Īfter Kubrick’s death in 1999, Vitali oversaw restorations for many of Kubrick’s films. “That’s the biggest conscious decision I’ve ever made. “I made one truly, truly radical change in my life and that was when I said, ‘I’m more interested in that’ than I was in the acting,” Vitali told the Associated Press in 2017. His next Kubrick credit was as “personal assistant to the director” on “The Shining,” though that’s only part of the story - Vitali famously helped cast 4-year-old Danny Lloyd to play Danny Torrance and Louise and Lisa Burns as the creepy Grady twins (citing Diane Arbus as inspiration). Vitali was so fascinated by Kubrick and his processes that he made an unusual decision: He gave up on acting and devoted himself entirely to the famously demanding director for over two decades. He was a sweet, kind, humble, generous man and a vital part of Stanley Kubrick’s team.”īefore meeting Kubrick, Vitali was a rising actor in England, appearing in several British television shows including “Softly, Softly,” “Follyfoot,” “Z Cars” and “Notorious Woman.” Then in 1974 he got his biggest break yet, when he was cast in “Barry Lyndon” as Lord Bullingdon, the son-in-law of Ryan O’Neal’s title character. "He helped me (asterisk)enormously(asterisk) with my Shining book and I’m gutted that he won’t see it. “Completely heartbroken to hear about the passing of Leon Vitali," filmmaker Lee Unkrich tweeted Sunday. Vitali even once set up a video monitor so that Kubrick could keep an eye on his dying cat.
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Though Vitali was often described as Kubrick’s assistant, Tony Zierra’s 2017 documentary “ Filmworker ” shed light on Vitali’s enormous and largely unsung contributions to the work of one of cinema’s greatest figures from “The Shining” through “Eyes Wide Shut.” He did everything from casting and coaching actors to overseeing restorations. Vitali died Friday in Los Angeles, his family told The Associated Press Sunday. Leon Vitali, the “Barry Lyndon” actor who became one of Stanley Kubrick’s closest associates, has died.